This article is about the 2011 film. For the 1965 Smurf film, see Les Aventures des Schtroumpfs. For the 1976 film, see The Smurfs and the Magic Flute.
The Smurfs is a 2011 American 3Dlive-action/computer-animatedcomedy film loosely based on the comic book series of the same name created by the Belgian comics artist Peyo. It was directed by Raja Gosnell and stars Hank Azaria, Neil Patrick Harris, Jayma Mays and Sofía Vergara, with Jonathan Winters and Katy Perry as the voices of Papa Smurf and Smurfette. It is the first live-action/animated film produced by Sony Pictures Animation, and the first of two live-action/animated Smurfs feature films. The film tells the story of the Smurfs as they get lost in New York, and try to find a way to get back home before Gargamel catches them.
After five years of negotiations, Jordan Kerner bought the rights in 2002, and the film entered development with Paramount Pictures and Nickelodeon Movies, until Columbia Pictures and Sony Pictures Animation obtained the film rights in 2008. Filming began in March 2010 in New York City.
After having the release date changed three times, Columbia Pictures released The Smurfs on July 29, 2011. Box office analysts initially predicted the film would tie with Cowboys & Aliens, but The Smurfs ultimately came in second, grossing $35.6 million against Cowboys & Aliens' $36.4 million gross. The Smurfs reached the $500 million milestone in the weekend of September 23–25, 2011.
A sequel, titled The Smurfs 2, was released on July 31, 2013.
As the Smurfs get ready for the Blue Moon Festival, Papa Smurf sees in his cauldron a vision of Clumsy Smurf reaching for a dragon wand and the Smurfs in cages while Gargamel laughs. Not wanting this vision to come true, Papa Smurf disallows Clumsy to pick Smurf Roots. Clumsy disobeys Papa and ends up unintentionally leading Gargamel and Azrael to the village. The Smurfs all flee for their lives while Clumsy unknowingly runs towards the Forbidden Falls, with Papa Smurf, Smurfette, Grouchy, Brainy and Gutsy running after him. They find him at the edge of a cliff, and while trying to help him up, they are sucked into a gigantic vortex that spirits them to present day New York City. To make matters worse, Gargamel and Azrael follow and the Smurfs end up in the apartment of Patrick and Grace Winslow, a married and expectant couple and their Basset Hound Elway. After clarifying things, the Winslows befriend them and allow them to stay in their apartment. The next day, needing to find a "star gazer" (a telescope), the Smurfs follow Patrick to his workplace at Anjelou Cosmetics, misunderstanding the previous explanation of his job as fortune-telling. He calls Grace to pick them up.
However, having extracted "Smurf essence" from a lock of Smurfette's hair, Gargamel also arrives and ends up being treated by Patrick's boss Odile upon using most of his acquired magic on her elderly mother by restoring her youth and attractiveness. But Gargamel resumes his search upon recognizing Patrick and following him to FAO Schwarz, but gets arrested after stealing a leaf blower and for causing chaos in the store with some customers while trying to catch the Smurfs. Gargamel manages to bust out of jail with the aid of flies, instead of eagles. By that time, Papa Smurf manages to calculate the night he and the others can get home. But first, he must figure out the spell to do so. Patrick tells them that there is an old bookstore in the city near Anjelou Cosmetics as he bonds with the Smurfs after sending what he believed to be his finished advertisement to be published. However, the next day, Patrick learns that Clumsy accidentally attached a blue-moon themed side project and he loses his temper before walking out on both the Smurfs and Grace to save his job.
Forced to search on their own, the Smurfs find the store and find the book L’Histoire des Schtroumpfs by researcher Peyo, containing the spell to turn the moon blue. But learning of their location, Gargamel sneaks into the bookstore and finds a dragon wand, transferring his magic into it as he uses it to capture Papa Smurf as he sends the others to safety. Though the Smurfs promised Papa Smurf that they won't try to save him and return home, Clumsy and Patrick, having seen the error of his actions after Grace gave him a sonogram picture of their baby, convince them to plan a rescue. At Belvedere Castle, after increasing the dragon wand's power with bits of Papa Smurf's beard, Gargamel finds himself facing all the Smurfs, summoned to New York by Brainy conjuring the blue moon. As the Smurf army battles Gargamel, Smurfette defeats Azrael and saves Papa Smurf before they join the fray. Though Gargamel attempts to break the Smurfs by killing Papa, Patrick saves him while Gutsy knocks the dragon wand out of the wizard's hand but he drops it. Clumsy tries to catch it, and to Papa Smurf's surprise, manages to catch it and sends Gargamel flying into a trash can and being hit by a bus with the advertisement "Blue Moon" on it before Papa Smurf breaks it. Soon after, the Smurfs take their leave as Patrick receives a call from Odile that he still has his job because he finally gave her what she wants after she noticed the blue moon that Brainy created. Later, Patrick and Grace have a baby boy, whom they name Blue to honor the Smurfs, who rebuild their village in the style of New York.
In the aftermath, Gargamel wakes up and learns that he is still in the present and he looks at the audience before breaking the fourth wall and asking them "What are you looking at?" and blasts them with his wand.
Live action actors
- Hank Azaria as Gargamel, the nemesis of the Smurfs who plots to use the Smurfs as part of a spell which would turn lead into gold. As opposed to the television show where Gargamel's goal is to use the Smurfs as the key ingredient in an alchemical formula to create gold or eat them or destroy them, in the film he wants to capture them to serve as charms, "whose mystical essence will make his inept magic more powerful — and dangerous". To look the part of Gargamel, Azaria wore a prosthetic nose, ears, buck teeth, eyebrows, and a wig (to make the process easier, he shaved his head). The initial make-up test took three hours, but by mid-production, the process took 90 minutes to complete. Azaria was transformed over 50 times and spent approximately 130 hours in the make-up chair.
- Neil Patrick Harris as Patrick "Pat" Winslow, the new VP of marketing at Anjelou Cosmetics
- Jayma Mays as Grace Winslow, Patrick's pregnant wife
- Sofía Vergara as Odile Anjelou, an executive at Anjelou Cosmetics who is Patrick's boss.
- Tim Gunn as Henri, Odile's executive assistant at Anjelou Cosmetics.
- Paula Pizzi as Odile's Mother
Joan Rivers, Liz Smith, Tom Colicchio, Olivia Palermo and Michael Musto make cameos in the film at a fictional Anjelou cosmetics product launch.
Further information: List of The Smurfs characters
- Jonathan Winters as Papa Smurf, the leader of the Smurfs. Winters previously provided the voice of Grandpa Smurf in the 1980s cartoon series. He and Frank Welker are the only original cast members from the TV series who returned for the film.
- Katy Perry as Smurfette, the female of the Smurfs. About gaining the voice role, Perry said: "They had done a blind test where they took certain voices from previous interviews and matched them with the character. They liked my voice without even knowing who it was, and when they found out it was me, they thought that would work out. My personality was just a plus!"
- Anton Yelchin as Clumsy Smurf. Yelchin commented on his character's personality change from the cartoons series saying, "I was familiar with Clumsy from the TV series, where he had that Southern twang. I went back and watched that, and then Raja, Jordan and I talked about it. We decided to make Clumsy a little simpler, a little sweeter. His voice is pitched higher than my normal speaking voice – it's full of joy, optimism, and enthusiasm for life. Clumsy isn't trying to mess anything up for anybody — he's just clumsy, and actually, he‘s tired of being clumsy".
- Fred Armisen as Brainy Smurf, the smartest Smurf, below Papa Smurf. Quentin Tarantino was up to voice him, but he turned it down.
- Alan Cumming as Gutsy Smurf, one of three Smurfs created specifically for the film and who is Scottish, wears a kilt and has sideburns. The character is also described as the "action hero" of the film.
- George Lopez as Grouchy Smurf. To prepare for his role of being "grouchy", Lopez did not drink coffee, made sure he had bad breath and picked the busiest time to get to the studio.
- Jeff Foxworthy as Handy Smurf
- Paul Reubens as Jokey Smurf
- Gary Basaraba as Hefty Smurf
- John Oliver as Vanity Smurf
- Kenan Thompson as Greedy Smurf
- B. J. Novak as Baker Smurf
- Joel McCrary as Farmer Smurf
- Wolfgang Puck as Chef Smurf
- John Kassir as Crazy Smurf, the second Smurf created specifically for the film
- Tom Kane as Narrator Smurf, the third Smurf created specifically for the film.
- Frank Welker as Azrael, Gargamel's cat. Welker provided the voice of Hefty Smurf and other characters in the 1980s cartoon series. Four Orange tabby cats played the role of Azrael with some scenes being created with CGI by Tippett Studio. Animal trainer Larry Madrid had a "rare Burma cat" that was used to educe snarls from the other cats since they did not like him.
In 1997, producer Jordan Kerner sent the first "of a series of letters" to The Smurfs' licensing agent Lafig Belgium expressing interest in making a feature film. It was not until 2002 after a draft of Kerner's film adaptation of Charlotte's Web was read by Peyo's heirs, that they accepted Kerner's offer. Peyo's daughter Véronique Culliford and family had wanted to make a Smurfs film for years and said that Kerner was the first person to pitch a film that shared their "vision and enthusiasm". Kerner soon began developing the 3-D CGI feature film with Paramount Pictures and Nickelodeon Movies. In 2006, Kerner said the film was planned to be a trilogy and would explain more of Gargamel's backstory. He stated, "We'll learn [more] about Gargamel and Smurf Soup and how all that began and what really goes on in that castle. What his backstory really was. There's an all-powerful wizard… there’s all sorts of things that get revealed as we go along". Early animation footage was leaked on the internet in early 2008. The filmmakers were allowed to create three new Smurfs for the film – Narrator, Crazy, and Gutsy.
In June 2008, it was announced that Columbia Pictures and Sony Pictures Animation obtained the film rights from Lafig Belgium. Kerner said the current project started with Sony during a conversation with the chairman-CEO Michael Lynton, who grew up watching The Smurfs in the Netherlands. Kerner explained, "He relished them as I do and suggested that it should be a live-action/CG film. Amy Pascal felt equally that there was potentially a series of films in the making".Shrek 2 writers, J. David Stem and David N. Weiss wrote the screenplay along with Zookeeper writers Jay Scherick and David Ronn; Stem and Weiss also wrote the story. Raja Gosnell directed.Quentin Tarantino was in talks to play Brainy Smurf, however, these did not pan out.
Filming and animation
On a budget of $110 million,principal photography began in New York City on March 26, 2010. In May, scenes were filmed in Manhattan's SoHo neighborhood. That month, scenes were shot all night for five nights in a row at F.A.O. Schwartz toy store. Production was temporarily halted after a worker fell 30 feet from a set at the toy store on Fifth Avenue and 58th Street; he later recovered in a hospital. Other locations used for filming were Belvedere Castle, the Russian Tea Room, Rockefeller Center, and Brooklyn's Prospect Park. A two-thirds-scale replica of the Belvedere Castle was built with wooden grates as floors (to create additional contrast). Gargamel's dungeon under the Belvedere Castle, which included the "Smurfalator", was built on a soundstage. It took three months to build because some parts were hard to come by. Production eventually found the rare parts at garage sales, flea markets, on eBay and Craigslist.
In order to help the Smurfs' animators during post-production, cinematographerPhil Meheux and his team would light up a scene where the Smurfs would be digitally added using 7 and one half-inch tall models to stand in during set-up and rehearsals. He explained, "We can then position the light so that it falls right. The actors know where the Smurf will be when it is animated later, so their eyelines will match. Then we can take out the model and shoot the scene, and they look quite real, fitting the real backing that we're giving them. It looks like they're part of the surroundings". Also during the process the Imageworks visual effects team used a new camera system to precisely record the on-set lighting, so it could be applied later in the computer. When time came to film a scene that would include actors and Smurfs, each Smurf was represented by a different colored dot and the actors had to remember which dot was which Smurf. The Smurfs characters were created during post-production by 268 Sony Pictures Imageworks employees who spent around 358,000 hours animating. Character designer Allen Battino, a long time Kerner collaborator, was brought in to redesign the characters for CGI.
The film had its worldwide premiere on June 16, 2011, in Júzcar, a small village in Spain. To celebrate the release, the residents painted entire village, including church and other historical buildings in blue. Twelve local painters used 4,000 litres of blue to transform traditionally white Júzcar into the world's first Smurf Village. Although Sony vowed to restore the village to its former look, six months after the premiere, the residents voted to keep the colour, which had brought more than 80,000 tourists to Júzcar.
In the United States, the film was meant to be released on December 17, 2010, but it was pushed to July 29, 2011 to avoid competition with Yogi Bear and Tron: Legacy. It was temporarily pushed further back to August 3, 2011, before being reverted to July 29, 2011. Sony teamed up with marketing partners in the United States and Canada to promote the film through McDonald'sHappy Meals and Post Foods brand cereal.
The Smurfs was released on DVD, Blu-ray Disc, and Blu-ray 3D on December 2, 2011, accompanied with an all new 22-minute animated short film The Smurfs: A Christmas Carol.The Smurfs and Friends with Benefits are the first Sony films compatible with the UltraViolet system, which enables users to access films on any web-connected device.
The Smurfs opened on approximately 5,300 screens at 3,395 locations, with 2,042 locations being 3D-enabled theaters. On July 28, 2011, Exhibitor Relations predicted The Smurfs would rank third its opening weekend with $24 million, but analyst Jeff Bock added that the film "could be a dark horse and do better than expected". That same day, John Young of Entertainment Weekly predicted a $32 million opening and a second-place ranking behind Cowboys & Aliens. He also stated that the ticket service Fandango reported that the film was leading in ticket sales.The Smurfs came in number one on Friday making an $13.2 million, ahead of Cowboys & Aliens' $13 million. According to Sony's research, 65% of The Smurfs' audience was parents (40%) and their children under 12 years old (25%). Overall the audience breakdown was reported as 64% female and 55% age 25 years and older.
Estimates later showed that Cowboys & Aliens and The Smurfs were tied at the number one spot for the weekend with $36.2 million each. However, actual figures showed Cowboys & Aliens won the weekend with $36.4 million just beating The Smurfs' $35.6 million. The Smurfs' opening was still stronger than anticipated since some box office analysts predicted that it would open below $30 million. For its second weekend the film remained at number two with Rise of the Planet of the Apes taking Cowboys & Aliens' spot. It made $20.7 million (41% being from 3D showings), a 42% decrease from its opening weekend.
The Smurfs opened to $4.4 million from seven territories with Spain taking in $4 million of that total. On its second weekend it expanded to 42 territories, taking first place in most of its markets and grossing $45.2 million. Among the markets the film opened in first place were Brazil ($6.65 million), France ($5.93 million), Mexico ($5.53 million) Germany ($5.43 million). The film grossed $142.6 million in the United States and Canada, along with $421.1 million in foreign markets, for a worldwide total of $563.7 million.
|Budget||Box office revenue|
|United States/Canada||Other markets||Worldwide|
|July 29, 2011||$110,000,000||$142,614,158||$421,135,165||$563,749,323|
Review aggregator Rotten Tomatoes reports that 22% of 116 critics have given the film a positive review, with a rating average of 4 out of 10. The site's critical consensus states, "The Smurfs assembles an undeniably talented cast of voice actors and live-action stars -- then crushes them beneath a blue mound of lowest-common-denominator kiddie fare."Metacritic, which assigns a weighted average score out of 100 to reviews from mainstream critics, gave the film an average score of 30 based on 22 reviews. Audiences polled by CinemaScore gave the film an average grade of "A-" on an A+ to F scale.
Keith Staskiewicz of Entertainment Weekly gave the film a D+ saying, "The Smurfs may be blue, but their movie is decidedly green, recycling discarded bits from other celluloid Happy Meals like Alvin and the Chipmunks, Garfield, and Hop into something half animated, half live action, and all careful studio calculation". Michael Rechtshaffen of The Hollywood Reporter gave the film a negative review saying, "This numbingly generic Smurf-out-of-water-tale is strictly for those who stand closer to three apples tall." Ending the review he said, "Having previously helmed two Scooby-Doos and a Beverly Hills Chihuahua, director Raja Gosnell could probably have done this one in his sleep, which is likely where all but the most attentive of caregivers will helplessly find themselves drifting."
Roger Moore of the Orlando Sentinel gave it two out of four stars saying, "The good news about the big-screen 3D version of The Smurfs that's opening at your neighborhood multiplex is that it’s not the insipid and some say "socialist" Smurfs you remember from 1980s TV". He called the slapstick "very small-kid friendly" and considered the adult-friendly jokes "pretty mild stuff". He closed his review saying, "Yeah, the Smurfs are still sickeningly sweet and upbeat. But if you've got kids, it's not nearly as torturous to sit through as you might have feared". Justin Chang of Variety described the film as "adorable and annoying, patently unnecessary yet kinda sweet" and calling it "a calculated commercial enterprise with little soul but an appreciable amount of heart". He said, "The script does wink knowingly in the direction of attentive adults".
San Francisco Chronicle's Peter Hartlaub gave the film a mixed review. He said The Smurfs is a "rare movie where the worst parts are in the promos". He called Harris' performance an "honest effort in a thankless role" but said that Azaria as Gargamel "Hidden under prosthetics, [Hank Azaria] compensates for his lack of good lines and repulsive makeup by overacting". He closed his review saying, "Harris, mostly acting against Marshmallow Peep-sized animated creations, is convincing and likable throughout. No doubt he will poke fun at his participation in this film the next time he's hosting an awards show, but don't be fooled. It takes a good actor to save a bad movie". Ty Burr of The Boston Globe criticized the CGI used on the cat, the use of 3D by calling it "needless" and Lopez's voice as Grouchy. He called the Smurf rap the worst part of the film. However, Burr echoed Harlaub's praise for Harris' performance by saying, "Harris manages to class up whatever he touches, even if the sight of him repeatedly hitting himself with an umbrella probably won't go on the career highlight reel". About Azaria, he said, "[Azaria] gets to put on a baldy wig and fake buck-teeth and overact as broadly as he can. A little of this goes a long way unless you're 6 years old, which is the point". He also added that Sofia Vergara "shares the screenplay's confusion as to what, exactly, she's doing here".
USA Today's Scott Bowles enjoyed Azaria's performance calling him "the human standout" and saying "He and his distrusting cat, Azrael, steal scenes". He also called Jonathan Winters "wonderful" as Papa Smurf. Neil Genzlinger of The New York Times said Azaria was "quite funny". About the film's content, he said "Those grown-up winks, along with an array of New York locations, make The Smurfs a surprisingly tolerable film for adults. As for their children, well, who knows with kids? But at least the writers have cleverly built in enough Smurfology that today's youngsters will be able to get the basics of the blue universe". Betsy Sharkey from the Los Angeles Times gave the film a negative review saying, "Director Raja Gosnell starts with the innocence but then loses his way in trying to pull off the hipster spin the script by J. David Stern, David N. Weiss, Jay Scherick and David Ronn is shooting for." and "There are many good actors wasted as voices — Alan Cumming, Fred Armisen and Winters among them — and in the flesh, though the greatest disservice is to Azaria".
- Next Must See Movie (Nominated)
38th People's Choice Awards
- Favorite Animated Movie Voice: Katy Perry (Nominated)
2012 Kids' Choice Awards
- Favorite Movie (Nominated)
- Favorite Movie Actress: Sofia Vergara (Nominated)
- Favorite Voice in an Animated Film: Katy Perry (Won)
The Smurfs 2
Main article: The Smurfs 2
A sequel, titled The Smurfs 2, was released on July 31, 2013. Director Raja Gosnell and producer Jordan Kerner returned, along with all the main cast. New cast includes Christina Ricci, J. B. Smoove and Brendan Gleeson. In the sequel, Gargamel creates a couple of evil Smurf-like creatures called the Naughties to harness the magical Smurf-essence. When he discovers that only a real Smurf can give him what he wants and that only Smurfette can turn the Naughties into the real Smurfs, Gargamel kidnaps Smurfette and takes her to Paris. Papa, Clumsy, Grouchy, and Vanity return to the human world and seek the help of their friends Patrick and Grace Winslow to rescue Smurfette. Like its predecessor, The Smurfs 2 was met with critically negative reviews, and it earned $347 million.
Cancelled third film and reboot
On May 10, 2012, two weeks after Columbia Pictures and Sony Pictures Animation announced production of The Smurfs 2, Variety reported that writers Karey Kirkpatrick and Chris Poche were developing a script for The Smurfs 3, which was set for release on July 24, 2015, and later rescheduled for August 14, 2015. In March 2014, Sony announced that it will reboot the series with a completely computer-animated film. Directed by Kelly Asbury, the reboot titled Smurfs: The Lost Village, was released on April 7, 2017.
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If you go with your family to see “Smurfs: The Lost Village” (and let’s be honest: most of today’s animated features are more than suitable for adults only, but anyone who would go to this movie without children is seriously starved for entertainment), you’ll get to experience the trailer for “The Emoji Movie,” an upcoming feature from the same studio, Sony Pictures Animation. The trailer is hosted by an emoji named Meh, voiced in the morose observational tones of comedian Steven Wright; in just 30 seconds, he makes not being overly enthusiastic about anything seem the apex of hilarity. I won’t prejudge the film, but it’s a stupendous trailer.
Then we get to the Smurfs movie, which has a hundred characters who are Smurfs, and not one of them is as funny, or wry, or distinctive as Meh. You might describe the Smurfs as blueberry Hobbits crossed with knockoffs of the Seven Dwarfs — or, more precisely, of Dopey, since they mirror his innocent leer of a grin, open-car-door ears, and hat that’s like a folded-over blob of Poppin’ Fresh dough. (I do realize that the Smurfs were created in Belgium in 1958, and that their headwear was meant to evoke the Phrygian cap, which signifies freedom. But they still look like Dopey.) As with the Dwarfs, the Smurfs have names that describe just what they are: in this case, Jokey, Nerdy, Grouchy, Brainy, Clumsy, Nosy, Hefty, Winner, Loser, Painter, Scuba, Paranoid, Therapist (“Sometimes,” says a patient, “I just feel blue!”), and Table-Eater. Unlike the Seven Dwarfs, the Smurfs, even with their Defining Traits, seem to have more or less interchangeable personalities. They’re one-note elfin mascots of cute who are all, in essence, variations on the same product.
Last November, when “Trolls” came out, a number of critics described it as being sort of like a Smurfs movie. Well, it kind of was — but if so, it was the “Citizen Kane” of Smurf movies, a kaleidoscopic disco fantasia with marvelously individualized troll-doll characters. (I’ve seen it three times and could easily watch it again.) “Smurfs: The Lost Village,” by contrast, is a sweetly benign fantasy for three-to-seven-year-olds, and though one should show no hesitation in calling it innocuous, because it is, I do realize that’s all part of the design. It’s not a rousing animated comedy that parents will cherish along with their kids. It’s more like a colorful and diverting pacifier.
Yet it has one major advantage over its two big-screen predecessors, “The Smurfs” (2011) and “The Smurfs 2” (2013). (There was also a Smurfs cartoon, “The Smurfs and the Magic Flute,” back in 1983.) Both those movies placed animated Smurfs in a live-action universe, and both had the painfully shrill, bonk-you-over-the-head tone that can turn actors as gifted as Neil Patrick Harris and Hank Azaria into blaring annoyances. “The Lost Village” ditches all that. It’s a pure digital fantasy, with elegant and tactile animation, so it’s more true to the Smurf spirit, and should perform solidly.
In the Smurf village, that land of colorful mushroom huts, every character is male except for Smurfette (voiced by Demi Lovato), who has a rounder face than that of the boy Smurfs, and who looks like she stole Nancy Sinatra’s hair. So much for her personality. Smurfette, as fans of the Smurfs franchise know, was created by the evil wizard Gargamel out of a lump of coal, which is one reason that she doesn’t feel quite at home. Gargamel is voiced, by Rainn Wilson, in one of those fluttery aristocratic accents descended from effete Hollywood villains of the ’40s, and he’s animated in a way that sticks true to the original Peyo cartoon: With his lone tooth, bald fringe, and dark robe, he looks like a Trappist monk drawn by Hanna-Barbera.
Gargamel plans to round up all the Smurfs, so that he can pour them into a boiling-cauldron potion that will render him all-powerful. And there you have the plot. The valiant Smurfette frees a trio of Smurfs — Clumsy, Brainy, and Hefty — from Gargamel’s clutches, and once they escape the movie turns into an elongated if rather rudderless chase that takes our heroes (and heroine) through the Forbidden Forest, through white-water rapids (the most visually enticing sequence), and into a garden of fire-breathing dragonflies and flowers that will eat you.
As it turns out, the Smurf village isn’t the Lost Village. That would be Smurfy Grove, an all-girl Smurf enclave presided over by Smurfwillow, voiced by Julia Roberts with an incongruous maternal snap. (She has the kind of personal punch the rest of the movie barely hints at.) There is also a tear-jerking twist that really works, though it’s a bit manipulative to see in a movie aimed at kids this young. Imagine that Bambi’s mother had died, and then come back to life as the star of her own franchise. “Smurfs: The Lost Village” is pleasant enough, but there’s not much at stake, because no one stops grinning for long.
Film Review: 'Smurfs: The Lost Village'
Reviewed at AMC Village 7, New York, March 25, 2017. MPAA Rating: PG. Running time: 91 MIN.
Production: A Columbia Pictures release, in association with LStar Capital and Wanda Pictures, of a Kerner Entertainment Company production of a Sony Pictures Animation Film. Producers: Jordan Kerner, Mary Ellen Bauder Andrews. Executive producers: Raja Gosnell, Ben Waisbren.
Crew: Director: Kelly Asbury. Screenplay: Stacey Harman, Pamela Ribbon. Visual Effects Supervisor: Michael Ford. Editor: Bret Marnell.
With: Demi Lovato, Rainn Wilson, Julia Roberts, Mandy Patinkin, Joe Manganiello, Jack McBrayer, Danny Pudi, Michelle Rodriguez, Ellie Kemper, Ariel Winter, Jake Johnson, Meghan Trainor.
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